WavePurity’s digital filters can eliminate interfering crackling and noise from your old recordings. You will have reconditioned high-quality music titles of almost CD quality. WavePurity can revise automatically an entire part of a record by detecting the titles and editing wave files. They are ready now for burning on a CD. Wave Purity is easy in handling and an excellent shareware. WavePurity includes powerful tools, editors and filters for editing audio files. It supports the data formats WAV and MP3.
Functions
• Audio replay, audio recorder
• Comfortable audio editor
• Numerous digital filters for editing, noise elimination, and error correction
• Real-time frequency display (spectrum with FFT)
• Real-time oscilloscope that can be triggered
• Real-time software equalizer
• Song list management
• Track processor for automatic, overnight batch processing
• Signal generators and wobble generator for frequency response measurement
• Audio CD burn module in the professional version
Audio file formats
• Microsoft RIFF PCM (WAV)
• Microsoft RIFF ACM (WAV) – (Audio Compression Manager)
• Microsoft AVI Video (AVI) – (Audio Track Import)
• MPEG audio Layer III (MP3)
• WavePurity PCM or 4.Bit-ADPCM (WPU)
• Additional audio formats as plug-ins are available – (Professional Version)
Changes 7.61 -> 7.70:
– Improved dialog functions for insert and fade in data to wave form editor.
– Improved dialog display of Trackprozessor (Professional Version).
– Improved stability of waveform editor.
– Correction of pause button behavior in recorder wizard.
– Minor improvements and bugfixes.
INFO: http://redi.se/c18 WavePurity Professional 7.70 WiN http://beelink.in/14430/WavePurity-Professional-7.70-WiN.html
Our new top of the line synthesizer, the LinPlug Spectral. 14 years of synthesizer building experience. Estimated release is Autumn 2013. If you are familiar with subtractive synthesis, you will feel right at home with the Spectral, because you can choose a waveform, choose a filter and go on. But Spectral delivers far more options than you would expect from the well sorted user interface. The unique audio engine under the hood is capable of delivering many sounds never heard before. Right now we work with our sound designers on the factory library and finalize.
Changelog 1.1.1 -> 1.2.0
– new Sound rating system.
– new MIDI Controller Assignement editing.
– new option to either save to “my sounds” or last used bank.
– new clicking library path opens Finder/Explorer window.
– new Envelopes can run in one-shot more.
– fixed several Arpeggiator bugs in Modulation-Only Mode or when modulating effects.
– fixed Glide not correct with anything but default linear curve.
– fixed sustain pedal not working correctly under specific circumstances.
INFO:http://redi.se/h5v LinPlug Spectral v1.1.1 AU VST VSTi WiN MAC-R2R http://beelink.in/17609/LinPlug-Spectral-v1.2.0-AU-VST-VSTi-WiN-MAC-R2R.html
Now with a new interface optimized for speed and simplicity, major performance improvements, and a collection of powerful new tools to realize your ideas faster than ever. Max is built on the idea of connecting things together to make something new. Connect plugins, media players, and custom DIY effects, or build something completely from scratch.
Collections
A collection is Max’s version of a playlist and can be made up of files that fit a certain criteria (for example, all audio files from 2011, back when audio files sounded better) or a simple list of things you want to organize.
One powerful feature of collections is that unlike previous versions, files in a collection can live anywhere on your computer, and you don’t have to understand or manage search paths. Just drag a file or folder into the file browser and it’s available for use in your patches.
Snippets: a new approach to reusability
A snippet is a resuable piece of a patch you can save for later reuse. It’s designed to be fast and easy: just select the objects you want to save and give it a name. When you want to use a snippet, you can browse by name or use a visual catalog. Once you find what you’re looking for, simply drag the snippet into your patcher.
Customize your environment
Max 7 organizes everything you need within easy reach in customizable toolbars.
Create default templates with the features and settings you use most often.
Toolbars
The toolbars form a frame around the patcher window. The top toolbar modernizes the old Max object palette along with the powerful new format palette that features font, color, and style controls. The left toolbar provides immediate access to audio files, videos, plug-ins, and other assets you use in your patching. The bottom toolbar controls how you view and edit your work. And the right toolbar provides access to the inspector, Max console window, and quick reference.
You can manually or automatically hide the toolbars to see your patcher out of the frame.
INFO: http://redi.se/3286 Cycling 74 MAX 7 v7.0.0 MAC OSX-REDT http://beelink.in/18860/Cycling-74-MAX-7-v7.0.0-MAC-OSX-REDT.html
‘Hybrid Beats Session’ is perfect if you are looking for next level beats to inject into your music, with maximum programming flexibility and a human feel from a drummer who knows the scene and is like a human metronome. Anyone who has seen Netsky live will verify that this guy is a human beat machine that performs his blistering breakbeats and rock solid grooves with effortless perfection, and here he has recorded a huge amount of grooves, hits and midi files enabling producers worldwide to capture the essence of what has made him one of the most in demand drummers within Dance music circles. All loops and grooves have been played on various selections of acoustic drums enhanced with V-Drums triggering technology, and he covers styles including Drum & Bass, Dubstep and all forms of Breakbeat. Schack has provided 11 full drum kit combinations and alongside the main grooves you also get tom beats, swing beats, shuffle beats and various broken down versions for maximum flexibility in your productions. You’ll find 488 MIDI Files included with the pack, one for every loop – meaning that you can easily switch drum kits or sounds, edit the programming and get that human feel to your beats and add your own signature rolls etc within the programming. In detail, ‘Hybrid Beats Session’ weighs in at 1.7 GB of content, featuring 488 loops between 90 and 178 BPM, with 98 One-Shot drum samples also included.
Ethnic Bulgarian singing is something really special for us, because it’s something we are proud of as a nation. This special type of “throat” singing is truly unique and gives a new and interesting timbre that is not typical for the choir ensembles. This is why we decided that this requires a special approach – we wanted to get away from pre-recorded phrases and loops and to give the user the possibility and freedom to do what they like with this choir.
The result is a sample library that is quite new and has the following features:
• 10 singers
• Range of E3-D5 (C4 = middle C)
• The powerful SYLLABUILDER engine (full word building engine) allows you to write words that will be ‘sung’ by the virtual choir
• The Syllabuilder gives you the ideal balance between the detailed control over the words and the fast workflow
• Ability to Save and Load presets; cross-compatible with future versions.
• Ability to manually edit each of the consonants or vowel sounds in Syllabuilder text
• Polyphonic legato
• The ability to overlap different vowels/consonants in a single midi track – one voice holding on “Ah” (for instance), while the other voices still progressing throughout the lyrics.
• Easy to use either live or in your DAW
• Intuitive HELP incorporated in the Kontakt patch
• Various other scripts that will help you in your workflow
• Last but not least – the unique timbre of the Ethnic Bulgarian singers
• The pack is Kontakt 5+ FULL version compatible.
…::: ViDEO DEMO :::… …::: Rhodope: Ethnic Bulgarian Choir Overview :::…
…::: Firebird – Rhodope Walkthrough :::…
…::: Create a vocal line from scratch in 30 minutes! – Rhodope Walkthrough #2 :::…
DEMO/PREViEW:
INFO:http://redi.se/32jq RHODOPE Ethnic Bulgarian Choir KONTAKT DVDR-DISCOVER http://beelink.in/19053/RHODOPE-Ethnic-Bulgarian-Choir-KONTAKT-DVDR-DISCOVER.html
Ever Wanted To Know What Trap Beats & Sounds Might Sound Like In The Future? Well You Can Find Out & Use Them NOW!! The Future Sound Of Trap Music In Mind. It Is A PresetBank For N.I. Massive With Loads Of Crazy Trap Synth Sounds Like Leads, Gates, Sines, Pads, Stabs, Bass & More.
(NI Massive VST Is Needed To Use This PresetBank) INFO:http://redi.se/32jr Future Urban for Ni MASSiVE http://beelink.in/19054/Future-Urban-for-Ni-MASSiVE.html
As We All Know The Term “Turn Up” Is A Very Powerful & Energetic Quote..Well The Same Goes For This Kit. Contained Inside This Pack Is Not Your Average Presets For KONTAKT But Patches Of Drums Spread Out On The Keys / All Octaves For Your Easy Access. Sounds Such As 808s, Snares, Claps, Percs & More All Tuned & Laid Out Through The Keys. There Is Also A BONUS Folder Which Has ROYALTY FREE Drum Loops & Melody Loops For You To Use. This Kit Has A REASON Version As Well For You REASON DAW Users (See Reason Section Under PresetBanks).
(The NI Kontakt VST Is Needed To Use This Kit. Kontakt 4.2.2 or Higher) INFO:http://redi.se/32js TurnUp v1 DrumKit KONTAKT http://beelink.in/19055/TurnUp-v1-DrumKit-KONTAKT.html
Sculpture Sound Design Workshop Logic Pro X TUTORiAL
SYNTHiC4TE | Nov 30 2014 | 179 MB
With Logic Pro X’s Sculpture you can create just about any kind of sound imaginable. Learn how to synthesize all kinds of cool instruments in this sound design course by one of our favorite synthesists. Once you’ve learned all the programming secrets revealed in classic Logic Pro course Synthesis With Sculpture it is time to dive into some detailed sound design in this course. It is here that you learn to implement Sculpture’s powerful tools to create all kinds of original sounds from guitars to undulating, morphing pads. Rishabh takes you through all the sonic possibilities of Sculpture’s sonic palette while, at the same time, explaining the physics behind instrumental sound design. You learn how to make basses, harmonics, harps, marimbas, gamelans, organs, percussion, sitars and other more synthetic instruments that limited only by your imagination.
INFO: http://redi.se/32jt Sculpture Sound Design Workshop Logic Pro X TUTORiAL http://beelink.in/19056/Sculpture-Sound-Design-Workshop-Logic-Pro-X-TUTORiAL.html
Audio guru is back with an Advanced Audio Editing course in our very popular Audio Concepts series. No matter what DAW you use, watch this course and really accelerate your audio editing chops! We are happy to welcome back the always informative and entertaining trainer for another installment in the Audio Concepts series. In this course, starts off explaining a bit of the history of audio editing. This is important because much of the terminology and techniques are derived from their analog predecessors. But once that’s all covered, things turn digital in a giga-hurry!
The Apple Loops Utility is history. But now there’s Loop Editor! Watch and learn how this amazing software, will help you make custom loops for Logic Pro X, Garageband and more! Did you know that Logic Pro X no longer ships with the Apple Loops Utility? Luckily, we found! They’re an innovative company that has come up with their own loop software called Loop Editor… and their software really rocks the loop world. This course, by Matt Vanacoro, explores every aspect of this handy loop-making app. You learn just how powerful Loop Editor really is as Matt takes you through its intelligent beat-detection technology where you slice and dice your audio into Apple Loops and Acid files. Then, you learn how to edit, adjust, tag (including genre and descriptors) and export your new loop to work with Logic Pro, Garageband and more.
Vintage Strings is a virtual instrument for Kontakt 5 designed to emulate the classic violin string section sounds of R&B, Soul, and Funk records from the 1960’s and 1970’s. Whether you’re an experienced arranger or casual producer, Vintage Strings was designed to make it quick and easy for you to create great sounding string tracks for your productions. Like its sister product, Vintage Horns, Vintage Strings was not designed to be a shiny, perfect sounding virtual instrument. Instead, we tried to capture the way string sections sounded back in the ’60s and ’70s; including the decidedly not classical playing style and minor imperfections that added character to those sections and made them sound so good. For Vintage Strings we recorded a 6 piece violin section using vintage Neuman U-87 mics and Royer ribbon mics run through a great sounding SSL board. To capture a true vintage string sound, we used close mics, room mics, and string section positioning based on actual session notes from old Motown and Philly Soul recording sessions. Rather than record the violins in a magnificent concert hall or some other large and resonant recording space, we recorded our players in a funky old studio with a smaller, less-reverberant room that had characteristics similar to the rooms used to record classic Soul and R&B records.
Using the tracks we recorded in this space, we then created three types of sections:
2 VIOLINS:
The 2VLN patches are very useful for creating the sound of smaller string sections. Even if played in 3-part harmony, these patches sound like a 6 piece section, rather than a full orchestral string section. The 2VLN patches take up a lot less sonic space in the mix, and also have the advantage of sounding like the smaller types of string sections used on a lot of old Soul and R&B records, which didn’t have the time or budget to record a larger section.
6 VIOLINS:
The 6VLN patches are great for recording unison (1 part) lines that emulate the sound of a true 6 violin section, which was very commonly used in many old Soul recordings. When used for 2-part harmonies or octaves these patches can be used to replicate the sound of an overdubbed 6 violin section (i.e., a faux 12 violin section), which was a very common recording technique used on many Motown recording sessions.
12 VIOLINS:
The 12VLN patches are very useful for creating unison (1 part) string lines that sound like an overdubbed 6 violin section. If you want to get a bigger sound with the size of a larger orchestral string section, without the color and character present in a large recroding hall or symphonic space, use the patches for string parts in 2 or 3 part harmonies. The result is a virtual instrument that has a sound and character that is distinctly different from orchestral based sampled string libraries. The sound of Vintage Strings is intentionally not big, rich, and glossy. It’s a smaller, more intimate, and more “human” sound, which more accurately emulates the string sound on those classic old records.
FAST AND EASY STRING SECTION PARTS USING PRE-SET PATCHES
If you don’t have a lot experience writing for strings, or even if you’re an experienced string-arranger on a tight deadline, Vintage Strings also offers a number of pre-programmed instrument patches that can help you quickly create great sounding string parts. These include the Tonal Harmonization Patches, which contain 2 part, 3 part, and 4 part patches for 2, 6, and 12 violins. Playing with just one finger on your keyboard you can easily write string lines in 2 parts (intervals), 3 parts (triads), or 4 parts (seventh chords). Secondly, the Tonal Harmonization patches include Fixed Chord & Interval Patches containing 2 part, 3 part, and 4 part Chord Patches, for 2, 6, and 12 violins. These patches are programmed to play a specific interval or chord according to the type of patch in 12 different keys.
THE VINTAGE STRINGS GUI
The Vintage Strings graphical user interface (GUI) is very simple and easy to use. The main page of the interface includes control over tape saturation, high EQ, and reverb with 15 custom selected convolution reverbs.
FEATURES:
• 3 group sizes: 2, 6, and 12 players
• Recorded with the highest quality vintage outboard gear
• 11 articulations
• Auto harmonization feature for impressively quick arranging
• Hand selected IR options available for the convolution reverb
• 5.1GB (uncompressed)
• Kontakt Player 5 included
COMPLETE PATCH LIST: 2-Violin Patches:
2VLN CHR = long articulations as the default, with key-switches for staccato, swells, major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.
6-Violin Patches
6VLN CHR = long articulations as the default, with key-switch layers for staccato, swells, major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.
Single Articulation Patches:
• 6VLN CHR Sustain + Staccato
• 6VLN CHR Swells
• 6VLN CHR Major Runs Up
• 6VLN CHR Major Runs Down
• 6VLN CHR Minor Runs Up
• 6VLN CHR Minor Runs Down
• 6VLN CHR Fall-Offs
• 6VLN CHR Tremolo
• 6VLN CHR Harmonics
• 6VLN CHR Pizzicato
12-Violin Patches
12VLN CHR = long articulations as the default, with key-switch layers for staccato, swells,
major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.
Single Articulation Patches:
• 12VLN CHR Sustain + Staccato
• 12VLN CHR Swells
• 12VLN CHR Major Runs Up
• 12VLN CHR Major Runs Down
• 12VLN CHR Minor Runs Up
• 12VLN CHR Minor Runs Down
• 12VLN CHR Fall-Offs
• 12VLN CHR Tremolo
• 12VLN CHR Harmonics
• 12VLN CHR Pizzicato
Have trouble getting started with a track? Have you ever finished one? Do you find yourself listening to the same 8 bar loop over and over again, unable to make a full song out of it? Do you struggle to get the ideas in your head onto your computer? Do you find yourself lost and unfocused? That you don’t have enough time to spend creating music? Do you find yourself unable to write, arrange, and structure songs?. If this sounds like you, join me in this video course as I create a song entirely from scratch with an easy to follow step-by-step method that will have you making tunes for life. In this video course, I share the easy to follow process that I use to create tracks that eliminates creative blocks and guarantees a finished song when you’re done with it. This video course is broken up into easy-to-follow sections so that you can choose to work alongside me or digest it all before diving in. After watching this course you’ll have the confidence and ability to get started with a song, arrange it, and then finish it. Over and over again. Let’s turn those 8 bar loops into 16, 32, and entire songs!
INFO:http://redi.se/32jx Electronic Music Arrangement Escape the 8 Bar Loop TUTORiAL http://beelink.in/19060/Electronic-Music-Arrangement-Escape-the-8-Bar-Loop-TUTORiAL.html
Here You Have The Biggest, Hardest MIDI & Loop Pack Based On Trap & Urban HipHop Music Yet. Packed With Not 4 But NINE Dope Finished Beats For You To Tweak, Take From, Add To, Learn From & Make Your Own All ROYALTY FREE. This Pack Is Flat Out Dope & Has Beats Everyone Could Use & Enjoy In Many Ways. Each Beat Comes With It’s Full WAV TrackOuts As Well As It’s FLP FL STUDIO Project File For You FL Users.
(All Files Are WAV & Can Be Used With Any DAW Software) INFO: http://redi.se/32jz Big Pack MiDi and Loop WAV MiDi http://beelink.in/19061/Big-Pack-MiDi-and-Loop-WAV-MiDi.html
Westphalen Baritone Violin is an electric violin sample library recorded by Gerhard Westphalen and edited and programmed by D.Healey. The library features a patch which includes sustain, staccato, spiccato and true legato articulations as well as a free bonus effects patch. The main idea of this library was to help composers who are looking for the increasingly popular electric violin sound.
Features:
True legato intervals
Full control of the vibrato
Electric Violin recorded DI and with close microphone
The following articulations available: staccato, spiccato and pizzicato
Effects included
Included effects presets emulate popular electric violin sounds used by composers
48 kHz / 24 bit
Requires full version of Kontakt 4
INFO: http://redi.se/32k0 Westphalen Baritone Violin KONTAKT http://beelink.in/19062/Westphalen-Baritone-Violin-KONTAKT.html
Westphalen Electric Violin is an electric violin sample library recorded by Gerhard Westphalen and edited and programmed by D.Healey. The library features a single patch which includes sustain, staccato, and true legato articulations.
The main idea of this library was to help composers who are looking for the increasingly popular electric violin sound.
Features:
True legato intervals
Full control of the vibrato
Electric Violin recorded DI
Staccatos RR X 3, 3 dynamic layers
Included effects presets emulate popular electric violin sounds used by composers
48 kHz / 24 bit
Requires full version of Kontakt 4
INFO: http://redi.se/32k1 Westphalen Electric Violin KONTAKT http://beelink.in/19063/Westphalen-Electric-Violin-KONTAKT.html
Halloween is on the way, This Nightmare Before Xmas Drum Kit contains over 50 dark hard hitting drums & crisp hats also includes a free sample pack of horror music music box, pianos & much more. Inspired by the horror movie and music genre this kit is perfect for inspiring dope beats through the month of All Hallows’ Eve.
Features:
•Compatible with DAW systems & Hardware (Logic, Reason, Ableton, FL Studio, Protools, Native Instruments MASCHINE, Akai MPC Renaissance, MPC1000 to MPC 5000 etc)
•High Quality WAVS
•Processed Through High Quality Vintage Compressors To Ensure The Best Sound
•No Clipping
INFO:http://redi.se/32k2 Nightmare Before Xmas DrumKit v1 WAV http://beelink.in/19064/Nightmare-Before-Xmas-DrumKit-v1-WAV.html
In this parasitical training course you will learn how to create modern electronic dance floor music using Ableton Live. In this practical training course you will learn how to use tools you have already for electronic music production. Electronic music got it’s secrets and we need to learn more and use other people experience in order to be more flexible and make music we like. In this course I will not show you how to copy and past or save files in Ableton Live, but I will show you the creative process and how we can use default software tools and 3rd party plugins in order to make unique music we want.
Instruments intro
I would like to refer to some of my favorite virtual instruments such as Arturia Virtual Collection V3, Native Instruments and my personal samples. Arturia V3 include several well known analog synths from past – Moog Modular, Mini Moog, etc. It’s almost impossible to discover all possibilities of Moog, so many variations could be created using this instrument, which is good for any electronic music production. In Native Instruments, I like to talk about Reaktor 5. Many individual synths included in Reaktor 5 bundle, almost every synth inside Reaktor 5 trigger cool idea in your head. I would also recommend Alchemy from Camel Audio. This synth will bring any music on different level.
If it’s not enough, you can always use Ableton Live instruments or rewire Logic Pro and record Logic default instruments with Ableton Live using Sound Flower.
Effects intro
For production effects I love to use almost all default Ableton Live effects and Native Instruments Guitar Rig 5. Compressors from Crysonic and Elysia. Other dynamic effects & EQ from Flux and Fab Filters.
Using instruments to create bits and samples
Like no other DAW Ableton Live has 2 ways to create music. Grid and arrangement windows. Every other professional DAW will provide only arrangement view and you have to guess and copy past loops. It is more convenient to use Ableton Live for creative purpose.
Using freez
This is just amassing function, this function could be found in other DAW like Logic Pro. However since we using Ableton Live, I would love to show you few very nice features which changed the way I look into music production now.
Recording from instrument to audio
Very simple and effective way to transform virtual instrument into audio file and continue editing
Applying effects
Working with effects could little tricky. I like to use minimum amount of reverbs and delays. I also like to use dynamic effects for almost every track inside my arrangement. In the end, Mastering effects may harm reverbs and delays and create unwanted sound. Right amount of effects should be added.
Arranging the track
Track arraignment could not be easier with Ableton Live. Jut hit record and start improvise with created loops, than go to arraignment view and continue working.
Bouncing mixdown track
I want to give you some effective tips which I’ve learn during production. What you need to do before bouncing the mixdown.
Mastering track
Mastering is most important final part of music production. Usually producers sending Mixdown version to Mastering house, however many people master there music in house. It takes time to learn mastering and consider your own music, like you trying to master music from other people. This is the only way to make good master out of your own track. I will show you what and how I use mastering plugins or mastering my own music.
INFO: http://redi.se/32k3 Creative Flow in Ableton Live TUTORiAL http://beelink.in/19065/Creative-Flow-in-Ableton-Live-TUTORiAL.html
+10db is a channel strip plugin meticulously modeled after one of the industries most iconic hardware compressors. Unless you refuse to listen to any music after Beethoven, you most certainly have heard this unit in action. Best yet, this is the first time this hardware unit has been available in plugin format. +10db is the first of it’s kind channel strip plugin. This plugin is modelled after a very highly sought after compressor hardware unit. We didn’t just use the hardware unit for inspiration, we dug in deep and made sure that it sounded just like the original.
Why did we model this unit?
Here’s the deal. It seems like everybody is modeling hardware these days, but we wanted to do something a little different. We didn’t want to model any hardware units that have been done a million times. We wanted to do something that had never been done before but has been an icon in the recording industry, and the only way to do that was to team up with producer/mixer David Bendeth. He just happened to have a few of these in his rack, so he sent us one to pour over.
Unless you stopped listening to music after “Johnny B Goode” then you have most definitely heard this hardware unit many many times. Think of Led Zeppelin drums.
HEXWARS NOTE: 50th RELEASE ! WE HOPE THiS TO BE JUST THE FiRST OF MANY MiLESTONES !
INFO: http://redi.se/32k4 Plus10db Bundle v1.0.1 MAC OSX-HEXWARS http://beelink.in/19066/Plus10db-Bundle-v1.0.1-MAC-OSX-HEXWARS.html
THE MAGIC MIX With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool, which still finds a good place in today’s music. The ARP 2600 is one of the finest analog synthesizers ever made. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds, heard in numerous popular tunes from Herbie Hancock to Stevie Wonder. With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool, which still finds a good place in today’s music.
MAIN FEATURES:
All the parameters of the original ARP 2600
Original ARP Sequencer model 1601
New 4 revolutionary tracking generators
New effects: chorus and delay
More than 400 presets, made by professionals, more…
INFO: http://redi.se/32k6 Arturia ARP2600 V v2.6.0 MAC OSX-HEXWARS http://beelink.in/8420/Arturia-ARP2600-V2-v2.6.0-MAC-OSX.html
